Download Historical Dictionary of Irish Cinema by Roderick Flynn, Patrick Brereton PDF

By Roderick Flynn, Patrick Brereton

ISBN-10: 0810855577

ISBN-13: 9780810855571

In 1898, documentary photos of a yacht race used to be shot by way of Robert A. Mitchell, making him the 1st Irishman to shoot a movie inside of eire. regardless of early publicity to the filmmaking technique, eire didn't boost a typical movie until eventually the past due 1910s whilst James Mark Sullivan verified the movie corporation of eire. on the grounds that that point, eire has performed host to many well-known motion pictures in regards to the country―Man of Aran, The Quiet guy, The Crying video game, My Left Foot, and Bloody Sunday―as good as others now not concerning the country―Braveheart and Saving inner most Ryan. It has additionally produced nice administrators resembling Neil Jordan and Jim Sheridan, in addition to throngs of outstanding actors and actresses: Colin Farrel, Colm Meaney, Cillian Murphy, Liam Neeson, Maureen O'Hara, and Peter O'Toole.

The historic Dictionary of Irish Cinema offers crucial evidence at the background of Irish cinema via a listing of acronyms and abbreviation; a chronology; an advent; a bibliography; and enormous quantities of cross-referenced dictionary entries at the pioneers and present leaders within the undefined, the actors, administrators, vendors, exhibitors, faculties, arts facilities, the govt. our bodies and a few of the laws they handed, and the movies.

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AMERICAN-IRISH FILMS. Since the success of Kalem films about Ireland, Hollywood has remained preoccupied by the Irish diaspora as the primary focus for Irish-based film. The film historian Kevin Rockett affirms that much Irish representation is focused on policemen, gangsters, sports heroes (especially boxers, as in John Ford’s seminal The Quiet Man), and politicians (who are often corrupt). S. K. publications such as Punch. Charles Musser notes that “Paddy” and “Bridget” were stock characters in early cinema.

Although the RKO deal apparently fell through within a few years, Abbey stage productions did constitute a sizeable number of the films made at Ardmore in its first five years of operation, including the first film shot at Ardmore, an adaptation of Walter Macken’s Home Is the Hero (1958); another George Shiel play, The New Gossoon, released as Sally’s Irish Rogue (1958); and Hugh Leonard’s The Big Birthday, released in the United Kingdom as Broth of a Boy (1959). ABOUT ADAM (1999). The Hollywood-style romantic comedy About Adam, directed by Gerry Stembridge, introduces the eponymous hero (played by Stuart Townsend) as a dark but spirited young man capable of casting a spell over any woman (or indeed man) he encounters.

Qxd 10 • 7/12/07 5:39 AM Page 10 ANGELA MOONEY DIES AGAIN alongside Leonardo DiCaprio) remakes the 2002 Hong Kong thriller Infernal Affairs and echoes Scorsese’s classic Italian gangster films. However, this was not Scorsese’s first attempt to engage with the place of the Irish in his native land. Gangs of New York (2002), dealing with Irish gangs at the end of the 19th century, made for an interesting companion piece with his earlier take on that period: his 1993 adaptation of Edith Wharton’s The Age of Innocence.

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